Friday, 11 September 2015

What was meant to be a thing about writing but isn't


“So when was it that you first met Phillip Rogers?”

“Never met him. Ever”

“Miss Ellen there is multiple pieces of evidence to suggest others wise”

“Prove it”

Almost instantly, a glossy photo slides across the table. In it are two people;  A blonde, twenty something year old girl and a slightly overweight man. The picture was presumably taken by a speeding camera as the two people are racing past in a red Mercedes, caught in the middle of a scream. The overweight man’s gullet is almost flapping across his collar, pushed down by a gaping mouth. The blonde girl is clinging to the glove box handle, and despite the picture being in black and white, her heavily applied blush is still noticeable. A skinny finger points to the blonde girl

“Is this you Miss Ellen?”

“No, looks nothing like me”

A collective sigh can be heard from behind the two way mirror. The officer pointing towards Miss Ellen in the photo rolls his eyes and looks towards the mirror, giving it a ‘could you be any less professional’ look.

“Miss Ellen I don’t mean to question your intelligence, or your eye sight, but the woman in the picture matches your facial structure perfectly. Not to mention the fact that you were caught in this very car twelve hours later”

“Prove it”

The officer’s face turns crimson red “I just did Fucking prove it to you! There couldn’t be any more evidence right now proving it’s you

Tuesday, 23 June 2015

Close Encounters

"JUST KEEP FUCKIN' DRIVING!" screams Ron.
Streaks of pain shoot up my right foot. I've been forcing it down on the acceleration pedal as hard as I can for hours. I squint through the sweltering desert sun, which bounces off the roof of my red Chevrolet. I power forward.
In the back seat, they lie motionless against each other. We had placed one of them middle, but she's wriggled out and is now draped over the left seat with her ass in the air and face pressed against a floor filled with cigarette butts, gravel and condoms.
"Ron! Move her up, she's slouching!"
Ron, quickly throws his cigar out the window, scrambles into the back seat and adjusts her so she's leaning against the edge of the car; Her head hanging out the window like a dog.

One day earlier

"D'ya think we'll get there with the money we have?"
A long pause greets me, the sound of thinking. We're at a gas station  just on the outskirts of Houston, Texas. Just spent the last of our money on filling up the tank.
"Well lets assess the situation Mark,"says Ron in between drags of his cigar. Globules of milky sweat, no doubt filled with nicotine, hang off his forehead "We've got twenty dollars to our name. Ten of that needs to go on general living supplies... ya know, salad, spirits and cigarettes"
We're on our way to Burning Man. I've wanted to go ever since I was eighteen, but could never find a way to get there. Twenty something years later I find a brochure, one of them cheesy, bright yellow, holiday camp ones. You know, the ones with bright stars around them, like the people that made it think the only way to grab peoples attention is through sweets and florescent colors. Like we're flies. Anyway, on it is a fire truck red Chevvy for half the price you'd usually get them. Now, I've grown up around some nice cars, Bentley's, Mercedes, all that rich people shit, but never even seen a Chevrolet in the flesh. So I sell my house and spend the money on the car and with the left overs, I spend on filling up the trunk for me and my buddy Ron. Ron is around the same age as me. A black pony tail, made up of fringe and the stringy hairs from the back of his head, sticks out from his trucker cap. you'll always catch Ron wearing jet black sun glasses and camo trousers. I say to him sometimes "Ron? What you wearing them woodland camo trousers for in the middle of the mall?" And every time he stares into the distance and says: "Shut the fuck up Mark"
"Our tank will get us as far as Austin, but after that we're screwed," Ron reminds me while tapping the map.
"Well we could sell something from the trunk" I point towards a group of teenagers loitering on their bikes around the other side of the gas station. "They look like they got some spare change"
"Yeah man, but don't we wanna save it for when we get there?" Ron is always jittery about opening the trunk.
"I suppose man, I suppose"

We don't talk when driving; we recharge. Every hour, me and Ron will switch and let the other sleep. I've been driving for about an hour and a half, listening to some old koot talking about water filtration.
Every time I hit a bump in the road, the speakers stop working. Until five minutes, I hit another bump, and they start spitting out more noise. Sometimes, hitting a bump at the right angle will cause the radio to become jittery. Then, I can't tell if it's music or someone talking
"Well you see now, Jose, you gotta make sure you got your water flowing through the green pipe, not the red, otherwise you'll be getting the sewage water in your mug of tea!"
Last sign we past said two miles until the next town, but that was about an hour ago and i'm starting to loose hope in getting to Austin. Being able to see the horizon, but not feeling like you're getting any closer to it drives you insane. Like you're on a treadmill.
"To hook up the green pipe to your filtration system, you gotta make sure you have the right spanner. Now, my favorite span-" Thunk. I relish the silence.
The gas meter slowly vibrates towards the 'E'. Only a matter of time before we're stranded in the desert.
"Ron" I say "Ron... wake up"
Looking around at the desert, you'd think that the air that passes between my middle aged creases would be warm and cleansing, not the case, it's biting. I've been dealing with it since Ohio. The convertible roof top got stuck after Ron spilled a slushee on the switch which controls it, leaving us attacked by the sharp wind twenty four hours a day.
"huh, whuh" Ron shoots up in his seat, ready for danger.
"Ron mate, can you take your shift?"
Roaring through a yawn, Ron nods.

"Mark.... Mark ya koot!"
Let me sleep.
"Mark take a look at this!"
You know how you can't track time when you sleep? But you can still tell how long you've been sleeping by how light you feel when you wake up? My body feels like a ton of bricks. As I open my eyes, I realize I must have been sleeping for at least three hours as the sun is nearly down.
"What?" My voice feels squelchy. Mucus and saliva must have gathered at the back of my throat because of my sleeping position.
Ron looks excited, jumping up and down like a loony tunes character on a strong dose of Ritalin. His pony tail smacks his sweaty back, throwing up a light film of warm sweat into my face.
I wipe the sprinkling of sweat off "What Ron, What is it?"
"Look" Ron points down the road. In the distance, by the side of the road, a huddle of fleshy tones shimmer. A group of people, holding a bright purple sign and waving it above them. We're too far away to make out what it says, but from what I can tell they really want us to stop.
"So what you think?" asks Ron "Shall we pick them up?"
I let out a long sigh "I just want to get to burning man, maaan"
"Awww come on" Ron whines, like a toddler who has been refused a trip to the zoo. "Come on man! we're almost out of money so we could charge them, and besides... they could be girls"
He's right, we have no more money. We won't be able to get the whole way there in the state we're in.
"They could be anyone! Think about the trunk, man."
"Stop being such a fucking (scaredey cat)!" Ron pulls the joystick towards him, aggressively switching down a gear. I can't change his mind now.
As we draw closer I get a better look at our soon to be companions. From the distance we are at now, we can see lots of exposed flesh, and camping equipment.
"We are in for a treat" Ron says realizing they are all girls.
Three of them, all dressed in tank tops and tight denim shorts, hop around trying to get our attention. Apart from one, who bends over tying her shoelace.
"Well what can we do for you young ladies?" asks Ron as he slowly pulls the car to the side of the road next to them, lurching forward with a cunning smile. With his sunglasses and wrinkly skin, Ron looks like one creepy mother fucker.
The one on the far right skips up to the side of the car, lowering herself just enough for us to be eye level with her breasts. Despite the sweaty desert weather, her blonde hair shines with a freshly washed quality and an ocean glimmer. "Oh thank the lord, we've been here for hours!" Exclaims her high pitched voice
"No problem my dear, happy to help" smiles Ron.
The second girl slides up against her, knocking their boobs together like a newtons cradle. This one also has fresh blonde hair. The only difference between them is this one has braces
"I'm Madison!"
"Hi! And I'm Stacey!" Their voices squeak.
 Ron sits in silence, tracing their curves with his eyes. His attention falls to the last girl, bending over, still tying her shoe. A cherry red thong stretching along her waist above her tight denim shorts.
"You're the first car to pass for hours. We had no idea what to do!"
"It's no problem" replies Ron, still staring at the third girl.
"That's Jacky" Madison exclaims "Hey Jacky, come meet the guys!"
I saw Ron reaction before I saw her face. It was as if she was a malfunctioned clone of the other two. Same clothes, same physique, yet with a giant slug of an eyebrow across her face and acne so vastly spread across her cheeks it was like she had sunburn.
"Hey boys" Her voice was more masculine than the other girls, and mine. As she spoke, I noticed her tongue's slightly too big for her mouth, making her spit slightly with every consonant.
"Oh, h-hey" Stammers Ron, averting his eyes from this monstrosity. He looks at me for help.
I rip my eyes away from Jacky and notice they have lots of camping equipment around their feet, so I get out to offer my help
"HEY, DON'T GO IN THERE!"
Jacky has the handle for the trunk halfway turned.
"Go on, shoo!" Ron demands while flailing his arms in the air and pushing Jacky away like a mange cat.
"Where are we meant to put our bags then?"
"Anywhere but the back" Ron puts bluntly.
I see that Jacky is irked by this, but instead of complaining she just hops into the backseat next to her friends.
Before I can sit back down, Rob grabs me by the arm.
"Listen mate, I know it is my turn to drive, but can you please just take the wheel and let me chat to them?"
He retreats his lips into his mouth and lowers his head, pleading with me like a kitten. If he'd had taken his sunglasses off and shown me some wide saucepan eyes I'd have melted.
"Fine!"

The sun is dipping below the distant sandy rocks. The once yellow sand is slowly fading into a more sickly green.
Ron looms over the hot leather seats, casting a shadow over Stacey who sits in the middle "So where you girls headin'?"
"We need to get back to Pickerninny, that's where our college bus is!"
"Oh you're in college!" he turns to me in excitement. His breath becomes erratic. "Well then what you doing all the way out here?"
"They let us have a day of sight seeing" giggles emit from the girls "So we hitch hiked out to see the canyons!"
Ron accompanies the giggles "And you didn't think you'd have to get back?"
This is painful. I lock my eyes on the road, looking for something to distract me from their annoying voices. The painted tracks wiz underneath. The more we drive, the grayer they get.
"It's getting pretty dark girls" Ron says without averting his attention "I see you've got tents. why don't we stop for the night?"

 A fact many people don't know about the desert is that it gets bloody cold at night. Ron insisted I gather some firewood for us, to keep us toasty. I don't see him collecting firewood. Who needs a fire anyway, the alcohol's warming us up just fine. Despite only having dry and dusty wood, the fire seemed to light pretty well. It may have been my boy scout skills, or the fact that Ron smashed a bottle of rum into the fire after losing patience with me, causing a long flame to reach into the sky and near scorch the girls prized eyebrows off.  I lost track of Madison and Jacky about a bottle ago. But Ron seems to be looking after Stacey just fine, feeding her vodka shots every other minute. Looking over the prairie, Jacky and Madison leap and bound to the music. The girls captured the radio before we stopped, putting in CD's from their backpack which are 'totally awesome'. Ever since then we've had jack shit of good music, just annoying synths and lyrics about breaking up with your boyfriend. Obviously we had to keep it on because of Ron's game plan. It's alright though, we'll be at burning man soon, listening to some real music, non of this teen pop crap.
"Yoooou don't know you're beautiful. Oooh Aaah Oooh!" Jacky screams from across the desert landscape in her discordant voice.
"Your voice is so amazing Jacky!"
God how did I end up here.
"Come dance with us!" You can never tell with some drunk girls, whether they are crying or just talking too loud. Despite Madison being a meter away from me, she shouts as if i'm halfway across the desert.
I begrudgingly accept.
"Guys i'm thirsty" Complains Jacky.
I quickly lost myself in movement, swaying from left and right, following Madison's hips. I could have danced forever, if it wasn't for the sound of the trunk opening. Me and Ron have developed a sixth sense for it. As soon as I heard the clunk of the latch I sobered up and span around to see Jacky drinking from a crinkled plastic bottle.
"Jacky no!"
It hit her instantly. Her face wrinkled up as it received the taste.
"uuhhh" no emotion was in her voice. It was like she had turned into a zombie. Wide eyes dart back and forth, sometimes flicking behind her eyelids.
"Ron.... Oh god damn Ron come quick!"
"Oh god no.... The acid!"
She stumbles around in circles, caressing every inch of her body, clawing at her flesh. Her hands are so tense the bones elevate from beneath them.
"You stupid bitch!" Screams Ron "Do you know how much money you just drank!"
Of course she didn't answer. I survey the bottle on the ground. It's completely empty.
"Holy shit Ron that must have been about 30 hits worth, what do we do? What do we do!!"
Without hesitation, Ron swings round and sucker punches Madison right in the face. Crunching her nose and plastering it into her chin; knocking her out cold.
"Whu- what are you doing!?"
"Get Stacey" Ron demands.
"Oh god Ron..."
"Get, Stacey!"
Luckily, Ron didn't expect me do anything to her, she's already led out flat on the ground, mouth agape and arms outstretched from all the shots.
Ron quickly reaches into their pockets, pulling out their flip up phones. He quickly snaps them phones in half, tossing them into the desert. "For fuck sake Pete, get Stacey!!"
"I just want to get to burning man Ron..."
"We're still going" Ron says as he slumps Stacey in the back seat against Jacky. Madison leans over them both, trickling blood over their hair. Jacky jitters around, screaming and spreading the blood all over the seats.
"Come on! Drive!"


   

Monday, 20 April 2015

Muddy Sand Dunes

Block Buster

Hard to concentrate on the rows of dvds stacked about the tin when the lights are flickering faster than a salt line victim.
"300?" She asks all cute, like she's pretty. You're not pretty. You're fat.
"Nah"
We proceed down the isle, passing hour apon hour of fictitious shit. The colors all blend into one as I focus my eyes forward. She stops, spotting something. I stop because she stops.
"Spiderman?"
"Nah"
I don't know why i'm refusing. The quicker I choose this movie, the quicker we get home and have sex. I try not to look at her ass; squeezed into tight peach red shorts. Looking at her ass right now would be like listening to a fart before a meal: Unappetizing.
"12 Monkeys?"
"Nah"
Whenever choosing a movie, my decision is based off of how I think I'd feel while watching it. If I think that emotion, no matter how ambiguous, will cause me satisfaction, I pursue it through the film. But I know no matter what, I'll hate this film with her stuffy presence 
"Lost in Transition?" 
"Nah"
I become aware of my surroundings, dark. We've been here so long the sun had slowly set outside.
"Perks of being a wallflow-" 
"Yeah sure whatever"
Lets just get out of here.
"Gosh finally!" Her voice was one of those 'I can't tell if you're funny or not' voices. Always halfway between ruckus laughter and boredom, making every word start with a honk. She leans against me. Her fat sweaty breasts burrowing down against my chest. "I thought we'd never choose" She spins around on one foot and skips towards the desk. The store clerk looks like he wants to die. Buckteeth dragging through his dribble softened chin. Thank god she's fat, otherwise I'd never have got her with the car I'm driving. My mother gave me this car as a gift. Not for my birthday, or as a reward for a job promotion or anything. Just a gift. She tries to search out different things she can be proud of me for. Putting myself in her situation I can see that must be pretty difficult, considering I work in Blockbuster. Not this Blockbuster, a Blockbuster on the other side of town. Might as well start the car up now. Wouldn't want her being with me as I awkwardly try and jolt it to a start. I sit and let it rumble.
Always pretty plain when you've got nothing to look at. I'm forced to watch her drag herself out of the store and into the car, testing the suspension as she sits down.

313

As always, the keys slip straight in. I quickly put the DVD in and press play.
I've always



   
    

Wednesday, 25 March 2015

Scene One
INT: Zoo café- end of day. Slightly dark and gloomy
[Shannon (aged 13) sits, legs crossed, facing Dadrian (age 40) They sit on a damp picnic bench, either side of each other. Shannon is sitting near the open edge, while Dadrian sits directly in the middle of the bench with his legs swung ajar, both feet placed either side of Shannon.  Children can be heard singing the chorus of songs like “Yellow Submarine” and “Wheels on the Bus” in discord off screen. A pack of six cupcakes in a pristine white case are placed directly in-between them both.]
Dadrian- Thanks for coming to meet me Shannon, it was very sweet of you. (No teeth smile and looking directly at Shannon)
Shannon- (Laughing through her breath and staring straight at the cupcakes) I’m just glad to finally meet you, Mr Purth.
[Dadrian lightly places his finger underneath Shannon’s chin, raising her head and eye level straight towards his.]
Dadrian- Shannon, please look at me. We have been chatting for ages over the past couple of weeks and I must say, it’s so good to at last see your face.
[Shannon stays silent. She has slowly lowered her gaze to Dadrian’s chest, averting eye contact]
Dadrian- [noticing Shannon is not going to say anything] I love your shirt [Rubs her sleeve and slightly tugs it] Where did you get it?
Shannon- Primark
Dadrian- Well it looks very pretty on you sweetie. Have you tried rolling up your sleeves
Shannon- [Blushing for a couple of seconds while fidgeting in her chair] Ok [Rolls up sleeves]
Dadrian- There you go...  The cupcakes look nice don’t they? Very creamy.
Shannon- You’re right
Dadrian- I had them specially made you know, for our little meet up, down at the bakery on my street.
[Shannon reaches for a cupcakes but before she touches it, Dadrian lightly places his hand on hers, stopping her. Then holds one up to her mouth and beckons for her to eat it from the palm on his hand. Shannon awkwardly diverts her mouth but, with his other hand, Dadrian softly moves her head back and Shannon takes a slow bite]
Dadrian- Tasty.

Shannon- You’re right.

Tuesday, 17 March 2015

Close Encounters (draft)

"JUST KEEP FUCKIN' DRIVING!" screams Ron.
Streaks of pain shoot up my right foot. I've been forcing it down on the acceleration pedal as hard as I can for hours. I squint through the sweltering desert sun, which bounces off the roof of my red Chevrolet. I power forward.
In the back seat, they lie motionless against each other. We had placed one of them middle, but she's wriggled out and is now draped over the left seat with her ass in the air and face pressed against a floor filled with cigarette butts, gravel and condoms.
"Ron! Move her up, she's slouching!"
Ron, quickly throws his cigar out the window, scrambles into the back seat and adjusts her so she's leaning against the edge of the car; Her head hanging out the window like a dog.

One day earlier

"D'ya think we'll get there with the money we have?"
A long pause greets me, the sound of thinking. We're at a gas station  just on the outskirts of Houston, Texas. Just spent the last of our money on filling up the tank.
"Well lets assess the situation Mark,"says Ron in between drags of his cigar. Globules of milky sweat, no doubt filled with nicotine, hang off his forehead "We've got twenty dollars to our name. Ten of that needs to go on general living supplies... ya know, salad, spirits and cigarettes"
We're on our way to Burning Man. I've wanted to go ever since I was eighteen, but could never find a way to get there. Twenty something years later I find a brochure, one of them cheesy, bright yellow, holiday camp ones. You know, the ones with bright stars around them, like the people that made it think the only way to grab peoples attention is through sweets and florescent colors. Like we're flies. Anyway, on it is a fire truck red Chevvy for half the price you'd usually get them. Now, I've grown up around some nice cars, Bentley's, Mercedes, all that rich people shit, but never even seen a Chevrolet in the flesh. So I sell my house and spend the money on the car and with the left overs, I spend on filling up the trunk for me and my buddy Ron. Ron is around the same age as me. A black pony tail, made up of fringe and the stringy hairs from the back of his head, sticks out from his trucker cap. you'll always catch Ron wearing jet black sun glasses and camo trousers. I say to him sometimes "Ron? What you wearing them woodland camo trousers for in the middle of the mall?" And every time he stares into the distance and says: "Shut the fuck up Mark"
"Our tank will get us as far as Austin, but after that we're screwed," Ron reminds me while tapping the map.
"Well we could sell something from the trunk" I point towards a group of teenagers loitering on their bikes around the other side of the gas station. "They look like they got some spare change"
"Yeah man, but don't we wanna save it for when we get there?" Ron is always jittery about opening the trunk.
"I suppose man, I suppose"

We don't talk when driving; we recharge. Every hour, me and Ron will switch and let the other sleep. I've been driving for about an hour and a half, listening to some old koot talking about water filtration.
Every time I hit a bump in the road, the speakers stop working. Until five minutes, I hit another bump, and they start spitting out more noise. Sometimes, hitting a bump at the right angle will cause the radio to become jittery. Then, I can't tell if it's music or someone talking
"Well you see now, Jose, you gotta make sure you got your water flowing through the green pipe, not the red, otherwise you'll be getting the sewage water in your mug of tea!"
Last sign we past said two miles until the next town, but that was about an hour ago and i'm starting to loose hope in getting to Austin. Being able to see the horizon, but not feeling like you're getting any closer to it drives you insane. Like you're on a treadmill.
"To hook up the green pipe to your filtration system, you gotta make sure you have the right spanner. Now, my favorite span-" Thunk. I relish the silence.
The gas meter slowly vibrates towards the 'E'. Only a matter of time before we're stranded in the desert.
"Ron" I say "Ron... wake up"
Looking around at the desert, you'd think that the air that passes between my middle aged creases would be warm and cleansing, not the case, it's biting. I've been dealing with it since Ohio. The convertible roof top got stuck after Ron spilled a slushee on the switch which controls it, leaving us attacked by the sharp wind twenty four hours a day.
"huh, whuh" Ron shoots up in his seat, ready for danger.
"Ron mate, can you take your shift?"
Roaring through a yawn, Ron nods.

"Mark.... Mark ya koot!"
Let me sleep.
"Mark take a look at this!"
You know how you can't track time when you sleep? But you can still tell how long you've been sleeping by how light you feel when you wake up? My body feels like a ton of bricks. As I open my eyes, I realize I must have been sleeping for at least three hours as the sun is nearly down.
"What?" My voice feels squelchy. Mucus and saliva must have gathered at the back of my throat because of my sleeping position.
Ron looks excited, jumping up and down like a loony tunes character on a strong dose of Ritalin. His pony tail smacks his sweaty back, throwing up a light film of warm sweat into my face.
I wipe the sprinkling of sweat off "What Ron, What is it?"
"Look" Ron points down the road. In the distance, by the side of the road, a huddle of fleshy tones shimmer. A group of people, holding a bright purple sign and waving it above them. We're too far away to make out what it says, but from what I can tell they really want us to stop.
"So what you think?" asks Ron "Shall we pick them up?"
I let out a long sigh "I just want to get to burning man, maaan"
"Awww come on" Ron whines, like a toddler who has been refused a trip to the zoo. "Come on man! we're almost out of money so we could charge them, and besides... they could be girls"
He's right, we have no more money. We won't be able to get the whole way there in the state we're in.
"They could be anyone! Think about the trunk, man."
"Stop being such a fucking (scaredey cat)!" Ron pulls the joystick towards him, aggressively switching down a gear. I can't change his mind now.
As we draw closer I get a better look at our soon to be companions. From the distance we are at now, we can see lots of exposed flesh, and camping equipment.
"We are in for a treat" Ron says realizing they are all girls.
Three of them, all dressed in tank tops and tight denim shorts, hop around trying to get our attention. Apart from one, who bends over tying her shoelace.
"Well what can we do for you young ladies?" asks Ron as he slowly pulls the car to the side of the road next to them, lurching forward with a cunning smile. With his sunglasses and wrinkly skin, Ron looks like one creepy mother fucker.
The one on the far right skips up to the side of the car, lowering herself just enough for us to be eye level with her breasts. Despite the sweaty desert weather, her blonde hair shines with a freshly washed quality and an ocean glimmer. "Oh thank the lord, we've been here for hours!" Exclaims her high pitched voice
"No problem my dear, happy to help" smiles Ron.
The second girl slides up against her, knocking their boobs together like a newtons cradle. This one also has fresh blonde hair. The only difference between them is this one has braces
"I'm Madison!"
"Hi! And I'm Stacey!" Their voices squeak.
 Ron sits in silence, tracing their curves with his eyes. His attention falls to the last girl, bending over, still tying her shoe. A cherry red thong stretching along her waist above her tight denim shorts.
"You're the first car to pass for hours. We had no idea what to do!"
"It's no problem" replies Ron, still staring at the third girl.
"That's Jacky" Madison exclaims "Hey Jacky, come meet the guys!"
I saw Ron reaction before I saw her face. It was as if she was a malfunctioned clone of the other two. Same clothes, same physique, yet with a giant slug of an eyebrow across her face and acne so vastly spread across her cheeks it was like she had sunburn.
"Hey boys" Her voice was more masculine than the other girls, and mine. As she spoke, I noticed her tongue's slightly too big for her mouth, making her spit slightly with every consonant.
"Oh, h-hey" Stammers Ron, averting his eyes from this monstrosity. He looks at me for help.
I rip my eyes away from Jacky and notice they have lots of camping equipment around their feet, so I get out to offer my help
"HEY, DON'T GO IN THERE!"
Jacky has the handle for the trunk halfway turned.
"Go on, shoo!" Ron demands while flailing his arms in the air and pushing Jacky away like a mange cat.
"Where are we meant to put our bags then?"
"Anywhere but the back" Ron puts bluntly.
I see that Jacky is irked by this, but instead of complaining she just hops into the backseat next to her friends.
Before I can sit back down, Rob grabs me by the arm.
"Listen mate, I know it is my turn to drive, but can you please just take the wheel and let me chat to them?"
He retreats his lips into his mouth and lowers his head, pleading with me like a kitten. If he'd had taken his sunglasses off and shown me some wide saucepan eyes I'd have melted.
"Fine!"

The sun is dipping below the distant sandy rocks. The once yellow sand is slowly fading into a more sickly green.
Ron looms over the hot leather seats, casting a shadow over Stacey who sits in the middle "So where you girls headin'?"
"We need to get back to Pickerninny, that's where our college bus is!"
"Oh you're in college!" he turns to me in excitement. His breath becomes erratic. "Well then what you doing all the way out here?"
"They let us have a day of sight seeing" giggles emit from the girls "So we hitch hiked out to see the canyons!"
Ron accompanies the giggles "And you didn't think you'd have to get back?"
This is painful. I lock my eyes on the road, looking for something to distract me from their annoying voices. The painted tracks wiz underneath. The more we drive, the grayer they get.
"It's getting pretty dark girls" Ron says without averting his attention "I see you've got tents. why don't we stop for the night?"

 A fact many people don't know about the desert is that it gets bloody cold at night. Ron insisted I gather some firewood for us, to keep us toasty. I don't see him collecting firewood. Who needs a fire anyway, the alcohol's warming us up just fine. Despite only having dry and dusty wood, the fire seemed to light pretty well. It may have been my boy scout skills, or the fact that Ron smashed a bottle of rum into the fire after losing patience with me, causing a long flame to reach into the sky and near scorch the girls prized eyebrows off.  I lost track of Madison and Jacky about a bottle ago. But Ron seems to be looking after Stacey just fine, feeding her vodka shots every other minute. Looking over the prairie, Jacky and Madison leap and bound to the music. The girls captured the radio before we stopped, putting in CD's from their backpack which are 'totally awesome'. Ever since then we've had jack shit of good music, just annoying synths and lyrics about breaking up with your boyfriend. Obviously we had to keep it on because of Ron's game plan. It's alright though, we'll be at burning man soon, listening to some real music, non of this teen pop crap.
"Yoooou don't know you're beautiful. Oooh Aaah Oooh!" Jacky screams from across the desert landscape in her discordant voice.
"Your voice is so amazing Jacky!"
God how did I end up here.
"Come dance with us!" You can never tell with some drunk girls, whether they are crying or just talking too loud. Despite Madison being a meter away from me, she shouts as if i'm halfway across the desert.
I begrudgingly accept.
"Guys i'm thirsty" Complains Jacky.
I quickly lost myself in movement, swaying from left and right, following Madison's hips. I could have danced forever, if it wasn't for the sound of the trunk opening. Me and Ron have developed a sixth sense for it. As soon as I heard the clunk of the latch I sobered up and span around to see Jacky drinking from a crinkled plastic bottle.
"Jacky no!"
It hit her instantly. Her face wrinkled up as it received the taste.
"uuhhh" no emotion was in her voice. It was like she had turned into a zombie. Wide eyes dart back and forth, sometimes flicking behind her eyelids.
"Ron.... Oh god damn Ron come quick!"
"Oh god no.... The acid!"
She stumbles around in circles, caressing every inch of her body, clawing at her flesh. Her hands are so tense the bones elevate from beneath them.
"You stupid bitch!" Screams Ron "Do you know how much money you just drank!"
Of course she didn't answer. I survey the bottle on the ground. It's completely empty.
"Holy shit Ron that must have been about 30 hits worth, what do we do? What do we do!!"
Without hesitation, Ron swings round and sucker punches Madison right in the face. Crunching her nose and plastering it into her chin; knocking her out cold.
"Whu- what are you doing!?"
"Get Stacey" Ron demands.
"Oh god Ron..."
"Get, Stacey!"
Luckily, Ron didn't expect me do anything to her, she's already led out flat on the ground, mouth agape and arms outstretched from all the shots.
Ron quickly reaches into their pockets, pulling out their flip up phones. He quickly snaps them phones in half, tossing them into the desert. "For fuck sake Pete, get Stacey!!"
"I just want to get to burning man Ron..."
"We're still going" Ron says as he slumps Stacey in the back seat against Jacky. Madison leans over them both, trickling blood over their hair. Jacky jitters around, screaming and spreading the blood all over the seats.
"Come on! Drive!"

   

Librarianies


One shelf, stretching down a mile long hallway. The carpets are a mundane brown. Spotless windows follow the shelf all the way down, casting a serene light across all the multi-coloured books. There are no panels on the windows and they don’t seem to be attached to either end of the hallway. An oak ladder is attached to the top of the shelf and painted bright red like the roof of a plastic doll’s house. You can move the ladder to any part of the shelf with the kick of your leg, rolling yourself effortlessly from one end of the hallway to the other. The top of the shelf is chipped and jagged from the ladder being pushed. There are no doors out of my library; it’s on the top floor of a launderette so the faint swishing of washing machines can be heard below.  The walls at the end of the hallway are an icy white, completely bare of colour apart from a laminated a4 piece of paper at each end that states ‘Library’. The shelf is divided equally into four categories, each with its own colour. There’s section one: Fun. This is a murky green. Section two: Interesting, which is coloured a dark ocean blue. Section three is a tie-dye pattern of the previous two sections colours and is titled ‘Smart’. Section four doesn’t have a title, or a colour. It’s just the balsa wood of the shelf and is void of books.  Each category is comprised of books that are recommended and purchased by the laundrette workers downstairs who are foundation arts course graduates.

 

Wednesday, 18 February 2015

Wednesday, 11 February 2015

How to acted accordingly when your booze has run out

you have just got to understand the arts.
always imagine the thing you're drawing, dont just be like "Omg im going to impress people with my drawings". INstead you have to understand youre drawing and see it. Stop looking from the same angle, just make something in the angle you imagine it in your head, not waht you've sorn earlier.
Do a drawing now, and understand what you're drawing, dont worry about what it looks like to others
Just engage in the conversation in a different way. Look at what you are going to say before you say it. Think "What are they going to think when i say this?"
Fingers on keyboard are heavy, like there is a gravity that can pull it down.

Wednesday, 4 February 2015


The short story, Tommy, has undergone a massive amount of changes since the first draft. When I started to write Tommy, I wanted it to reflect on the unseen hatred between a parent and their child. Obviously, to make a story out of it I made an extreme scenario and had the development to it make the finale seem obvious. In short, the ending wasn't as shocking as I wanted it to be. I had relied on the gruesome details, rather than the actual idea. I completely rewrote the story, only keeping small metaphors and ideologies which relate to the attitude against disability like. An example of this is the fathers opinion of Thomas the Tank Engine, it was indirectly hinting towards the attitude some people have towards down syndrome people (The disability that Tommy is visably effected by)  When writing, I set out the scenes like that of an avant-garde movie, using obvious binary oppositions like the emotion of the father and the colours of Tommy’s room to create an irony between them. I decided that I needed to mark the passage of time with a simple statement of the age. This way it seemed more like a crime report.Each ‘scene’ (Marked by Tommy’s age change) focuses on a different development in Tommy's brain, although it wasn't in an analog way. For example, the first stage is the obvious development stage in a child's life, not too abnormal. I needed to slowly wean the audience into seeing there was something wrong with Tommy without blatantly explaining "Tommy has down syndrome". To do this, I had the first scene have a slightly offset tone to it. It focused on developing the hatred the father bears (Something I make more and more intense as the story goes on) and showing the audience that something is wrong. This scene drew its main inspiration from Lionel Shriver's 'We Need To Talk About Kevin' scene where Kevin is ignoring his mothers pleas to throw her the ball back. I like the unexplained but obvious thought path Kevin's mother, Eva, has going on inside her brain. This helped quickly move Kevin into more interesting scenes. Creating the mother on the other hand, was something I struggled with. It seemed that in the first draft she influenced the story too much and drew attention away from the final scene. I had her become the conventional innocent female bystander as it would reinforce the despicable nature of the final act. By having her walk in on the apex of her husbands hatred, it made the scene more tragic as you are imagining a mother watch something bad happen to their child. When writing I tried to make her seem like a present parent. To do this I wrote her in as someone who just looks over what her child does and regrets previous decisions; an enabler. She is not seen in any of the scenes actually doing anything to combat Tommy's behavior, and is not even present for the last scene. She doesn't tell Tommy that hitting himself is wrong. By not having her only present in one scene I showed to the audience in the shortest and most indirect way possible that the father has to bear the brunt of Tommy's actions. It was a definite that this piece would take place in first person. I didn't use my normal writing style until the last scene because before hand it needed to be as mundane as possible. The fathers perception of the world is dulled and not very insightful "I pour the coffee into two plastic cups, red and blue" No art is in his description at all, he is exhausted. The final scene was set out like that of an old western movie. It's a standoff between Tommy and his father. At the pinnacle of the scene, time freezes, leaving a past tense, hindsight to it. By making it past tense I allow the audience to read it carefully because making it present tense would have forced the audience to read on.

"Close Encounters" Is an extract and the first chapter from a larger piece of writing I have been planning. My aim when writing was to set a abstract, yet believable, setting for the story to take place. I tried to make the encounters become more and more weird as the story progressed, representing the drugged up perception of the world this group of teenagers is experience. A technique I used when writing was refraining from explaining what resided outside of the little space the group occupied at a time. For example, when the main character, Pete, is walking around trying to find food, nothing is explained apart from the actual destination in question. I let the audience have there own view of the journey. By not describing the outside world, I create a very dreamy feel to the destinations, like set pieces on a stage without anything residing on the outside.
"Close Encounters" takes direct inspiration from the screenplay writing of Martin McDonagh, who uses awkward pauses and dry wit to form a multi layered conversation. The way Martin creates such masterful dialogues is by using ironic displays that directly take into account previous scenes. For example, the Burger Shack scene in my extract uses the irony of the place not selling burgers to make the undertone of the scene weird in itself. This layed the foundation for the exchange between Pete and "Fat ACDC man". Something I tried to achieve in the dialogue was tense pauses. I looked into how Martin Mcdonagh does this and added it into my writing style. If you see this exchange from "The Pillowman".
Tupolski: Mr Katurian. This is detective Ariel, i'm detective Tupolski... Who left that on you?
Katurian: What? (Tupolski takes the blindfold off)
Tupolski: Who left this on you?
He uses the obvious as as way differing from the norm.

I was inspired also by the incredibly weird looking people I see every time I walk through Bedminster. It was my aim to capture the way that it isn't like they are actively trying to be different, or doing anything that's out of the ordinary, but just that they don't have the common customs that a fully functioning person does.
I tried, over the course of the story, to create a disconnection between the group of "friends"
  

Close Encounters (they are all friends)

A red Chevrolet traveling across the Colorado desert. Giant wrinkly rocks stacked on vomit coloured sand wiz past our heads.  Two guys. Three sweaty gals, sequins on foreheads and glossy knickers gleaming from beneath denim skirts. A girls, Hetty, sits with her ass next to my head atop the car seat, her genitals warming the air with their stench. Car's going about 80 miles an hour, although It's hard to tell, the indicator gets stuck at 40. Doesn't matter, it's going fast enough to make the desert landscape look like one of those modern art pieces in a museum.
"How far?" says Serena with her legs propped up against the door and feet hanging out the window, letting the wind cleanse her toes.
"Bout' a mile. How's Jacky?!" I ask while forcing the gas pedal down, revving the engine and creating an aggressive purr. She's in a catatonic state last time I checked the back seat, not moving but with lots of unseen energy beneath the eye lids.
"Fine" mundanely states a dark haired man with shades pulled over his eyes and a drooping head: Ron, who sits in the front seat next to me, smoking a cigar we picked up from a gas station in San Francisco.
"No guys listen" shouts Serena from the backseat over the loud desert wind.. "She's wispering"
"What's she saying?"
No answer, I ask again, louder. Nothing. Am I actually making any noise? The wind seems to be getting more and more intense by the second. I screech the car to a halt on the dusty track beside the road and relish in the absence of noise. "What's she saying guys?" I shout angrily.
"For fuck sake Pete!" Reacts Jemma, shifting her position back upright in the seat "She just keeps saying she's sorry!"
I laugh "Right ok" and hit the gas.
We're about two hours away from Burning Man. We've been on the road since Austin, picking up hitchhikers and drifters. Our newest member is Hetty; we've had sex, twice.
"How's the sun?" asks Ron.
I ignore him, he's talking shit. My fingers grip the wheel like a hawk, i'm not crashing while we're this close.
"Do you think it'll be there?" says a girls voice from the back.
Hetty jumps up with excitement "Oh god Jacky, you're awake!" she exclaims.
I don't take my eyes off the road but I imagine Jacky looks like death incarnate, she threw up over herself about a half hour ago. It was horrible, we had to shake her limp carcass off like a rug. Then, to dry her off, we rolled her around in the sand. But instead of removing the sick from her clothes, the bile soaked up the sand into piles on her floral dress.
"Yes Jacky, why'd you think we've traveled this far?" This is our pilgrimage. You may have your Mecca, or your Jerusalem, we have Burning Man; the writhing centre for filth in america. The last supper for aristocratic youths. The only information we have of its inner workings comes from Ron, although you have to get him incredibly sober to have him part with it. I remember that Jacky is waiting for an answer.
"About half a mile" No one answers me. Truth is, not even I am confident with where we are, all I see in front of me is a long stretch of tarmac. I've always wondered, why do they bother with the road markings out here? Isn't it just too much effort to paint every single line in the middle of the road. I mean, people aren't exactly going to crash into each other, you can see a car coming even if it's an hour away.

Then I saw it. It started as a faint dot in the distance, didn't have a colour or anything, just a dot. I tried to see the bonfires, the tents, the party goers. But instead, all I saw was a dull blur. in the left corner of my eye.
"Can you see it guys?" I excitedly caw "Not far now"
It stayed a dot for about an hour before I could see a visable change in its size. As we got closer I saw it sparkling with movement. "We're nearly there guys" I scream. It gradually got closer and closer. I imagined all the amazing possibilities that would arise as soon as the car drew to a halt.

I park the car in the most secluded area possible, away from the main husk of tents, and start setting up.
"Excuse me sir, you can't park here" Says an arrogant voice out of no where. I look up and  a 30 something latino stands surveying our Chevrolet. The desert sun bounces off the streaks of his pulled back hair, revealing stress creases along his giant forehead, so big you could seclude a whole pencil in them. You'd think that having a forehead like that, you would try and hide it with a fringe, but no.
"Anything you've got that I should know about, sir?" He sneers while keeping his eyes fixed on the trunk.
"Nothing that you need to know about, no"
He pauses, searching for something venomous "Well you can't park here, you need to be within the yellow tape". He points across the field to the main body of tents.
Before I can protest he grabs our camping equipment, Spoons, stove and steaks, and throws it atop the girls in the back.
"...Go on" He says with a hint of sarcasm.
We move next to a luxurious grey tent, complete with a plastic conservatory littered with what looks like yoga mats and playing cards.
"Now what is the fucking point of coming all the way out into the fucking desert to camp in something which resembles a fucking mansion?" Ron complains while slumping a industrial blue sheet of tarpaulin down on the dust.
"Tell me about it, fucking rich bitc-"
"Why hello there Neighbor" Over excitedly shouts a chunky looking lady wearing sweat pants pulled above her belly button, in an attempt to hide the ungodly amount of flubber hanging from her stomach. Globduals of fat sway from her calfs as she hops towards us. Her physique resembled that of a Tellytubby.
"What brings you rapscallions to our side of the village then?"
Rob sighs and turns back to pitching the tent. The tellytubby sees this and pauses with a sad look on her face, then forces the smile back on and turns to Jacky, strewn in the front of the car.
"Why goodness! What happened to you my darling" She loudly asks while skipping to the side of the car.
"I...." Stammers Jacky as she searches for an answer "I fell"
"What, You fell? Really?"
"God she is fucking annoying" Whispers Rob.
"Well how exactly did that happen?"
"I don't think she is going to go away man" Says Rob in an unnerved tone
"Where was it you fell?"
"I think she might be an undercover man" Panics Ron "She's trying to rattle us"
"Why not come into our tent for a cup and let us fix you up"
"She's trying to abduct Jacky man!" Squeals Rob.
"Calm- the fuck- down Rob, she's just a bit social inept"
Next thing I see is Jacky being escorted into the grey tent beneath the huge hairy bingo wings of Ms Tellytubby, her overly loud nattering disappearing into the distance.
"Anyone fancy some snacks?" I say before Ron starts to pursue
"Yeah, go on then"
I walk to the 'Burger Shack'. A long, patterned rug, swirling with colours,  is suspended by long metal rods above a secretaries desk that looks like it was found in a junk yard. Dozens of cookers, throthing and steaming, are lined up behind it.  The place didn't look stable but the only other food on option was our beef jerky in the glove box. I sit down on one of the mismatched tables outside the shack and pick up the menu.
Spaghetti- 6.00$
Pizza slice- 3.00$
Egg on toast- 7.00$
Curly fries- 2.00$
I have no idea whether I should wait to be served or not. I suspect they will come out and take my order. While looking around I realize something; every table has a different children toy placed in the center, mine's a train. I give up waiting and shift to the bar area under the rug. It feels colder sitting here, despite the thick sweat I can feel coming off of the large man hunched over next to me, grazing on a large plate of greasy fries. Two women, dressed in fur coats and gleaming white sneaker rush around behind the desk, holding frying pans and blenders that vibrate in their hands.
"Excuse me"
No answer, they just carry on pacing up and down the shack, grabbing mugs and moving pans off of hobs.
"Erm excuse me" I repeat
"Oh sorry dear" Says one of the women while spinning around. Her voice was slightly unhinged, as if something was pinching her while she spoke.
"Yeah, hi, I was just wondering if I could get a burger?"
"Oh we don't do burgers sorry"
I stare in dismay.
"If you'd like to check the menu" She whips out a laminated sheet from beneath her fur coat "Everything you can get is on there"
"Well alright then, I'll get the chips ple-" Before I can finish she snatches the menu from my clutches, sprints behind the cooker and squats. She emerges with a plate heaped with chips, making vibrating spaceship noises while mimicking the movements of a plane with her hands.
"Vvvvvvrrrrrr, here it comes!"
"T-thank you very much"
"No problem dear, need anything, just give we a shout"
"Well actually, yeah, could I get some ketchup?"
She doesn't reply, just nods to the large mountain like man sitting next to me.
His shoulders are so large they protrude around his face. A Greasy ACDC t-shirt is forced over his large mammoth body with stains running down the back. How do you manage to get stains back there? I shift my position so i'm almost leaning off the desk so I can see his face. A giant bushy beard leaks over his collar, streaks of unhealthy white hairs fizz and curl around its erratic structure. His mouth is no where to be seen, only the movements of his chewing is evidence that he actually has one. Usually you would be able to trace the starting point of someones beard hairs, not this one, there where strands of hair coming from all directions, forming a giant fuzz ball with no start or end.
"You know where I can get some ketchup mate?"
He stops chewing and looks me straight in the eyes. Ripples and folds sag around his squinting peepers. Warts and puss filled boils stick out from the ripply skin, some yellow, others stark white beneath a film of peach coloured flesh. His skin seems to be dried and flakey, apart from his nose, which was as smooth as a waxed car. It was as if his whole body had aged apart from it. I realize I am staring.
"I'm.... I'm looking for some ketchup" I stutter.
He reaches into his kakis and pulls out a bright pink pencil case, complete with hello kitty face and a speech mark 'I love you!'. Unzipping it I see it is heaped with ketchup sachets. He keeps eye contact and tilts the pencil case towards me, beckoning me to take some. I grab one and quickly walk back to the car .    


Monday, 12 January 2015

Tommy

Tommy: Five
"What's two plus two?"
 Nothing. He just sits there, drippy eyed and agape mouth. We've removed most of the wall in Tommy's room and replaced it with a large sliding window that leads to the balcony; It's full of his toys littered on the ridged Aztecan tiles. Rattles, dummies, wooden rocking horses and all other manners of distraction. Sandra, my wife, believes that the most basic, natural designs help a child in his formative years and will help him grow up to be a well rounded, sophisticated part of society. Bullshit. She just doesn't want to buy him the expensive toys. A bright sunflower yellow carpet covers Tommy's room. The walls are red. His crib, is tucked right in the corner with Thomas the Tank Engine characters patterned over the sheets. Thomas, Percy, James. They never bothered with the designs, they all look the same.
"What is two plus two, Tommy?"
He replies by swinging himself to the side and grasping at a rattle, suckling at it while in the fetal position.
"Come on Tommy" I say while hoisting him onto my knee and removing his rattle. "What's two plus two?"
He just tries to escape my grasp and claws for the rattle again.

Tommy: Seven
We're visiting Tommy's grandparents. It's a three hour trip. We have been in the car forty minutes and he won't stop crying  .
"What's the matter sweetie?" My wife comforts
"I...." Tommy forces out.
"Yes? Come on!" she beckons. "He's going to speak!"
Tommy pauses for a minute before breaking into tears and smacking his forehead.
"He's doing it again" she reminds.
I turn the car into a service station and strap Tommy's hands down. "Fancy a coffee?" I ask while winding Tommy's window up, muffling his wails.
"Yeah... okay" she replies while looking through the window at Tommy. I pull out a metal flask and pour the coffee into two plastic cups, red and blue.
"Haven't tried this coffee before, heard it was quite good" I remark.
 Tommy's shrieks can be heard from inside the car. I talk a little louder. "Yeah I got it freshly ground in front of me at that new cafe on Parsons street"
 Tommy: Ten
“Honey can you fetch me the salt?” my wife chimes from the kitchen. I put out my cigarette in the ash tray and pause my football game, 2-1.
“Sure” I begrudgingly reply. She is serving stir fry, blended up for Tommy. I just stare at it, munching and squelching the asparagus she feeds to him.
“How was work?” She asks while waving a spoonful of rice and sweetcorn in front of Tommy's face. Tommy grabs the spoon while moaning in a low tone and shoves it into his mouth, spilling half the content as he pushes it past his fat lips. He's quite chubby now. Or is stocky the word? Whatever, he's strong, hard to control.
"Yeah it was fine I guess" I'm not in the mood for talking; too tired.
"Well that's good, Tommy used the toilet again today" I don't care but i reply.
“Good” I say with a mouthful of rice. I avert my eyes from Tommy, I hate the way he eats, it puts me off my food, the smacking constantly. I see the back of his throat every time he opens for a new bite. Lips littered with flecks of soggy white crumbs and lines of chocolate in the corners.
Tommy: Thirteen
"Dad. Give me" Tommy says as he points his stubby fingers to the remote. I ignore him, he does this all the time. "Dad! Give me!" He shouts and moves in front of my field of vision, blocking my view of the d.i.y program.
"No Tommy" I slowly move Tommy away without breaking my visual lock with the television. "Dad! Give me!" he yells with more persistence.
"No Tommy" I sternly repeat, "I'm watching t.v now. Your t.v time is over for today!"
 Tommy, unfazed, just wanders into the corner of the room and rubs the corner of the dresser. I am left in peace for a few minutes before being interrupted again. "Dad! I want it" He screams aggressively, lunging over me, pawing at the remote.

I remember, something snapped inside of me. Something malleable that had been sitting on the conscience for years; it had a temperature, a pulse that warmed and coveted my brain in a way that i didn't notice until it was gone.  It had to happen.
Then she walked in, hands struggling with the weight of neon green bags, a mustard raincoat, and saw me with my hands around his neck, throttling him. His neck was so small, it was like my hands would be able to fit around it twice over. His chunky legs, kicking and writhing as my grip tightens, ram across my body. I remember hearing his croaking pleas beneath his wriggling. I can't forget them.
Tommy: Thirteen
I lost my house. I lost my car. I lost my ashtray, my sofa and my bed. I lost everything. I have a table. I have a brown, wooden table and a chair. The chair is blue. My walls are soft, and white. I've ran out of things to look at. They let me have books. No television though.